Associate Professor of English and Comparative Literary Studies; Director of Graduate Studies in the Comparative Literary Studies Program
- University Hall 222
- Office Hours: Tuesdays 10-12
At Northwestern since 2011, Harris Feinsod (A.B., Brown, Ph.D., Stanford) teaches 20th- and 21st-century literature and culture of the US, Latin America, and the Atlantic world. His research focuses on comparative poetics and the history of poetry written in English and Spanish, modernism and the historical avant-gardes in Europe and the Americas, transnational literary studies (especially hemispheric literary and cultural relations), maritime cultural history, and multiethnic US literature. He has been a Geballe Fellow at the Stanford Humanities Center (2010-11), a Mellon Fellow at the Harry Ransom Center (summer, 2012), and the Early Career Fellow at the University of Pittsburgh Humanities Center (2015-2016). His academic and popular essays appear in journals such as American Literary History, American Quarterly, Centro, Iowa Review, Modernism/modernity, n+1, and the Princeton Encyclopedia of Poetry and Poetics: Fourth Edition (2012), for which he served as assistant editor.
His first book, The Poetry of the Americas: From Good Neighbors to Countercultures (Oxford, 2017), offers a detailed history of relations among poets in the US and Latin America, spanning three decades from the Good Neighbor diplomacy of World War II through the Cold War cultural policies of the late 1960s. It reveals how dozens of writers imagined a poetry that linked multiple cultures, even as it reflected the inequities of the inter-American political system. Feinsod is also the co-translator (with Rachel Galvin), of Oliverio Girondo’s Decals: Complete Early Poems (Open Letter, 2018), and he is now at work on a book entitled “Into Steam: The Global Imaginaries of Maritime Modernism.” Assembling a worldwide account of transoceanic and dockside poetry, narrative fiction, visual art, and radical history from 1890-1960, “Into Steam” charts modernist world literature as viewed from its industrializing seaways.
From 2012-2015, Feinsod directed Northwestern’s Comparative Modernisms workshop with Rebecca Johnson and Alejandra Uslenghi. He serves as associate director of the Poetry & Poetics Colloquium and graduate cluster along with Susannah Gottlieb. With John Alba Cutler, he directs Open Door Archive, a digital repository and exhibition space for modern poetry. In addition to core appointments in the Department of English and the Program in Comparative Literary Studies, he is an affiliate of the Department of Spanish and Portuguese, the Program in Latin American and Caribbean Studies, and the Global Avant-Garde and Modernist Studies cluster (GAMS).
Modern, Poetry & Poetics, Literary Theory, American: 20th Century, Latina & Latino Literature
Articles in Journals
- “Death Ships: The Cruel Translations of the Interwar Maritime Novel,” Modernism/modernity Print Plus Vol. 3 Cycle 3 (September, 2018)
- “Vehicular Networks and the Modernist Seaways: Crane, Lorca, Novo, Hughes,” American Literary History 27.4 (Winter, 2015): 683-716.
- “Between Dissidence and Good Neighbor Diplomacy: Reading Julia de Burgos with the FBI,” Centro: Journal of the Center for Puerto Rican Studies 26.2 (Fall, 2014): 98-127
- “Reconsidering the ‘Spiritual Economy’: Saint-John Perse, His Translators, and the Limits of Internationalism,” Telos 138 (Spring, 2007): 139-161
- “Has Don Rafael Spoken?” Commentary on Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas by Tom McEnaney, Syndicate Lit (June 26, 2018)
- “Sub-Sub-Underground-Anti-Connoisseurship: Adrift with Allan Sekula,” n+1 online (Aug 4, 2017)
- “C.D. Wright’s Apology,” Iowa Review 46.2 (Fall 2016): 193-198
- “The Era of Inter-American Cultural Diplomacy,” American Quarterly 66.4 (December, 2014): 1129-1141
- Review essay of Collecting as Modernist Practice by Jeremy Braddock and Burning City: Poems of Metropolitan Modernity edited by Jed Rasula and Tim Conley. Chicago Review 58.1 (July, 2013): 135-139
Occasional Essays & Interviews
"Historical Fidelity: Margaret Randall on Translating Cuban Poetry,” Los Angeles Review of Books (July 24, 2018)
- “Rhyme at the End of Democracy: Leonard Cohen’s Futures,” ARCADE: Literature, the Humanities, & the World (Dec 20, 2016)
- “#DownWithCentennialism,” ARCADE: Literature, the Humanities, & the World (9 Sept, 2015)
- “Para-Library Science at the NYPL,” ARCADE: Literature, the Humanities & the World (3 March, 2014)
- “Glosses and Conjectures on the Inaugural Poem,” ARCADE: Literature, the Humanities and the World (28 Jan, 2013)
- “The Tolson Exception: The Anthology in the 21st Century,” ARCADE: Literature, the Humanities, & the World (9 Jan, 2012)
- “World Poetry Grindhouse,” ARCADE: Literature, the Humanities, & the World (13 Oct, 2011)
- “Denby, Edwin (1903-1983),” The Routledge Encyclopedia of Modernism (Taylor and Francis, 2016).
- “Glossolalia,” Princeton Encyclopedia of Poetry and Poetics: Fourth Edition, ed. Roland Greene et. al. (Princeton University Press, 2012): 572-573
- “Hypogram,” Princeton Encyclopedia of Poetry and Poetics: Fourth Edition, ed. Roland Greene et. al. (Princeton University Press, 2012): 649
- “Sound Poetry,” Princeton Encyclopedia of Poetry and Poetics: Fourth Edition, ed. Roland Greene et. al. (Princeton University Press, 2012): 1327-1329