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James J. Hodge

Assistant Professor of English and the Alice Kaplan Institute for the Humanities

Ph.D. University of Chicago

Biography

James J. Hodge (Ph.D. University of Chicago) is Assistant Professor in the department of English and the Alice Kaplan Institute for the Humanities, and affiliate faculty in the department of Art History and the program in Screen Cultures.  He specializes in digital media aesthetics at the crossroads of cinema, art history, and literary studies, especially experimental media art genres such as new media art, avant-garde film, and electronic literature. Focusing also on media and critical theory he has special interests in phenomenology and psychoanalysis (object relations). His research is devoted to the question of how artistic forms express the incoherence of lived experience. His book Sensations of History: Animation and New Media Art is forthcoming in 2019 from the University of Minnesota Press. His current book project, "Gifts of Ubiquity: The Aesthetic Sensorium of Always-On Computing" examines a range of recent digital artworks as articulating the felt dynamics of a series of keywords for always-on computing: from anxiety and sociability to productivity and vulnerability.

Hodge regularly collaborates across programs at Northwestern. He is co-organizer of a week-long summer institute at Northwestern on the topic of "Media Aesthetics" July 15-19 with Dilip Gaonkar (Rhetoric and Public Culture). In 2018 he co-curated an exhibition of Paul Chan's video Happiness (finally) after 35,000 years of civilization at the Block Museum with Michael Metzger. In 2016-17 he co-organized a research seminar entitled "Ordinary Media" with Daniel Snelson (now at UCLA).

In 2019-2020 Hodge will be teaching four undergraduate courses: a first-year seminar called "Hitchcock and Beyond" and a seminar on the American horror film in the fall; and in the winter "Media Theory" and (with Patrick Noonan from Asian Languages & Cultures) a course entitled "Cultures of Information" about affective and aesthetic responses to neoliberalism in Japan and the West. He is also offering a section of "Media Theory" for the Master of Liberal Studies program.

An interview on his digital pedagogy can be read here.



Specializations

Literary Theory, Film & Film Theory, Science & Literature, Digital Media


Forthcoming Publications

  • Sensations of History: Animation and New Media Art (University of Minnesota Press, fall 2019)
  • "Vernaculars: The Always-On Image"
  • "The Subject of Always-On Computing: Thomas Ogden's 'Autistic-Contiguous Position' and the Animated GIF"
  • "Screwed: Anxiety and the Digital Ends of Anticipation"

Publications

  • "Touch," with C. A. Davis and John Bresland (video essay, 20 minutes), Triquarterly (December 3, 2018). watch the video
  • “Suffering the Modernist Legacy of Husserlian Phenomenology," Criticism 59:1 (Winter 2018): 155-160.
  • “Earth-Specific Art: Phenomenology and the Digital Cinema of Peter Bo Rappmund,” ASAP/Journal 2:3 (2017): 579–601.
  • "Digital Psycho: Dedramatizing the Historical Event," Critical Inquiry 43:4 (Summer 2017): 839–860.
  • "Sociable Media: Phatic Connection in Digital Art," Postmodern Culture 26:1 (September 2016): NP.
  • "Gifts of Ubiquity," Film Criticism 39:2 (Winter 2014-15): 53-78.
  • "New Media Art" (with Jacob Gaboury), Oxford Bibliographies in Cinema and Media Studies, ed. Krin Gabbard. (New York: Oxford University Press, 2014).
  • "Impersonal Love? Contemporary Art and Atmospheric Media," More Love: Art, Politics, and Sharing Since the 1990s, ed. Claire Schneider (Chapel Hill, NC: Ackland Art Museum, 2013).
  • "'I'm Looking for a New Way to be with You': On the Lisps' Futurity: A Musical," HowlRound: A Journal of the Theater Commons (July, 2012).

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