Renaissance Drama - Forthcoming and Recently Published
Volume 35 (2006) | Volume 34 (2005) | Volume 33 (2004)
Volume 32 (2003) | Volume 31 (2002)
Volume 35 (2006)
Special Issue: "Embodiment and Environment in Early Modern Drama and Performance"
Guest Editors: Mary Floyd-Wilson and Garrett A. Sullivan, Jr.
ISBN
0-8101-2365-7
232 pages.
Daryl W. Palmer
Hamlet's Northern Lineage: Masculinity, Climate, and the Mechanician in Early Modern Britain
Jean Feerick
"Divided in soyle": Plantation and Degeneracy in The Tempest and The Sea Voyage
Alan Stewart
"Euery soyle to mee is naturall": Figuring Denization in William Haughton's English-men for My Money
Paul Menzer
The Actor's Inhibition: Early Modern Acting and the Rhetoric of Restraint
William N. West
Understanding in the Elizabethan Theaters
Carolyn Sale
Eating Air, Feeling Smells: Hamlet's Theory of Performance
Jonathan Gil Harris
All Swell That End Swell: Dropsy, Phantom Pregnancy, and the Sound of Deconception in All's Well That Ends Well
Kristen Poole
The Devil's in the Archive: Doctor Faustus and Ovidean Physics
Volume 34 (2005)
Special Issue: "Media, Technology, and Performance"
Co-edited by Jeffrey Masten, Wendy Wall, and W.B.Worthen
ISBN
0-8101-2308-8
224 pages.
Barbara Hodgdon
Inoculating the Old Stock: Shakepearean Chorographies
Stephen Orgel
Reading Occasions
Anne Henry
Quid ais Omnium? Maurice Kyffin's 1588 Andria and the Emergence of Suspension Marks in Printed Drama
Richard Preiss
Natural Authorship
Richard W. Schoch
Reforming Shakespeare
Courtney Lehmann
Dancing in a (Cyber) net: "Renaissance Women, " Systems Theory, and The War of the Cinemas
Thomas Cartelli
Taymor's Titus in Time and Space: Surrogation and Interpolation
Denise Albanese
School for Scandal?: New-Media Hamlet, Oliver, and Camp Connoisseurship
Volume 33 (2004)
ISBN 0-8101-2199-9
246 pages.
Harry Berger, Jr.
Acts of Silence, Acts of Speech: How to Do Things with Othello and Desdemona
Adam Zucker
The Social Logic of Ben Jonson's Epicoene
James Loxley
Performatives and Performativity: Ben Jonson Makes His Excuses
Amanda Bailey
Livery and its Discontents: "Braving it" in The Taming of the Shrew
Philippa Kelly
See What Breeds About Her Heart . . . King Lear, Feminism and Performance
Robert Darcy
Shakespeare's Empty Plot: The Epicenotaph in Timon of Athens
Suzanne Gossett
Marston, Collaboration, and Eastward Ho!
Patricia Parker
Barbers and Barbary: Early Modern Cultural Semantics
Volume 32 (2003)
ISBN 0-8101-1956-0
264 pages.
GENEVIEVE LOVE
"As from the waste of Sophonisba" or, what's sexy about stage directions
IAN SMITH
White Skin, Black Masks: Racial Cross-Dressing on the Early Modern Stage
LISA DICKSON
Tent him to the Quick: Vision, Violence and Penalty in Shakespeare's 2 Henry VI
TANYA POLLARD
"A Thing Like Death": Sleeping Potions and Poisons in Romeo and Juliet and Antony and Cleopatra
HEATHER HIRSCHFELD
What Do Women Know?: The Roaring Girl and the Wisdom of Tiresias
MARIO DIGANGI
Sexual Slander and Working Women in The Roaring Girl
JULIE CRAWFORD
Convents and Pleasures: Margaret Cavendish and the Drama of Property
KATHRYN SCHWARZ
A Tragedy of Good Intentions: Maternal Agency in 3 Henry VI and King John
Volume 31
Special Issue: "Performing Affect"
ISBN 0-8101-1962-5
246 pages.
LAURIE SHANNON
Like(en)ings: Rhetorical Husbandries and Portia's 'True Conceit' of Friendship
KEVIN DUNN
'Action, passion, motion': The gestural politics of counsel in The Spanish Tragedy
RAMIE TARGOFF
'Dirty' Amens: Devotion, Applause, and Consent in Richard III
DONALD HEDRICK
Male Surplus Value
KATHERINE ROWE
Memory and Revision in Chapman's Bussy Plays
LAURIE E. MAGUIRE
Performing Anger: The Anatomy of Abuse(s) in Troilus and Cressida
DAVID HOUSTON WOOD
'He something seems unsettled': Melancholy, Jealousy, and Subjective Temporality in The Winter's Tale
SUSAN ZIMMERMAN
Animating Matter: The Corpse as Idol in The Second Maiden's Tragedy
Order from your bookseller or from:
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Chicago Distribution Center
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Chicago, IL 60208
tel. 1-800-621-2736 or 773-568-1550
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